Sunday, May 20, 2012
I hope you can bear with me for just a moment as I dig up a very old and what might seem like a totally irrelevant and useless word; Pointillism. Lets start by saying that the prefix "point" in pointillism brings to mind something small, like the tip of a small brush, when in fact, Pointillism (the movement) was all about individual brush-strokes. So if we could broaden our vision just a bit to include larger brush-strokes and then allow abstraction as well as realism or representation, you'll find that we're in a new place.
And this is what I'd like you to consider as you look at the paintings of Judith Murray. Pointillism was/is a very good idea (way to think about painting) and through the years many an artist has proudly picked up this banner to carry it forward. But what goes unnoticed are all the artists who have joined the ranks and don't fly the colors. If you read any text about Judith's work, no one it talking about her breaking down the picture into brush-strokes (which would be pointillism). Instead they're using all the current verbiage that one uses to promote a female painter. And she deserves any and all the praise and promotion they can give her. But I'm just hoping that now, what you'll see in her lovely paintings is the fresh, reincarnation of Pointillism; a wonderful old tool that still works well.
Be sure to visit her Website.
Enjoy the video.