Tuesday, August 21, 2012

New Interpretations of Pointillism

You'll notice two things, right off, about Mellissa Read-Devine's paintings. The brush strokes tend to be big and she's not a slave to the pointillism; painting whatever area needs to be painted in whatever way necessary. The results are refreshing and her views tend to be intimate, quiet and simple.

This image is from her Blog and you can also visit her Website.

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