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Frances Thomas definitely has dots on her mind, but her oeuvre seems to take several directions. And that's a good thing. Many of her works exude a quiet, almost shy formalism; in others, she loosens up and slathers it on. Either way, you can tell that she definitely likes paint. I particularly like the smoosh marks on some of the dots as though she had used a brayer.
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Images are from the Peter Robinson Gallery.
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